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The Process of Art at Annecy Animation Festival
The Annecy International Animation Film Festival feels as though it’s about the process as much as it is the exhibition…
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Five Years, Four Months – first-look review
An intriguing and lightly surreal account of one Columbian mother’s obsessive search for her missing son. For many, grief is…
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3 Weeks After – first-look review
A miserable, cynical and histrionic dirge into the lives of contemporary highschoolers who, according to Serbian director Miroslav Terzićand screenwriter…
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Black Money for White Nights – first-look review
If you want to get something done in Bulgaria, you’ve got to repress any moral scruples you may have and…
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The Lion at My Back – first-look review
When you’ve got a lion behind you and the sea in front of you, the only choice is to dive in…
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Karim Aïnouz: ‘I was interested in questioning…
Brazilian-Algerian director Karim Aïnouz is a keen collaborator. He doesn’t write his own screenplays and was intrigued by Efthimis Filippou’s modern…
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Rosebush Pruning review – a dark-hearted,…
Forget roses – we need to talk about violets of the shrinking variety, especially in reference to those who caught…
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The Invite | Nirvanna the Band the Show the Movie | The Exterminating Angel (1962)
On Truth & Movies this week, we discuss Olivia Wilde’s relationship comedy The Invite and Matt Johnson’s anarchic time-travel comedy…
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Where Comes La Cage: A Queer East Correspondence
The boldest and most playful version of this idea comes in Ratchapoom Boonbunchachoke’s A Useful Ghost (2025). The film moves through…
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Birds of War review – boundary-breaking love story
What does it look like to build a life with someone you’ve never actually been in the same room as? Birds of…
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