Movies
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Shoot The People review – a powerful tribute to…
To “shoot the people“ means not only to capture them, but to bear witness, and to use the camera as…
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Summertime Solitude: The Green Ray at 40
“It will be ‘green,’ but a most wonderful green, a green which no artist could ever obtain on his palette, a green which…
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Evil Dead Burn review – struggles to stay alight
Since Sam Raimi’s gruesome franchise was brought screaming back to life with the 90-minute bloody ascension that is Evil Dead…
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Our Hero, Balthazar review – perceptive dark…
With social media morphing into a domineering beast over the years, young people are increasingly using it as something to hide…
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The Last One For The Road review – loose, funny…
Two ageing drinkers, Carlobianchi (Sergio Romano) and Doriano (Pierpaolo Capovilla) in Francesco Sossai’s The Last One for the Road drift…
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The Process of Art at Annecy Animation Festival
The Annecy International Animation Film Festival feels as though it’s about the process as much as it is the exhibition…
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Five Years, Four Months – first-look review
An intriguing and lightly surreal account of one Columbian mother’s obsessive search for her missing son. For many, grief is…
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3 Weeks After – first-look review
A miserable, cynical and histrionic dirge into the lives of contemporary highschoolers who, according to Serbian director Miroslav Terzićand screenwriter…
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Black Money for White Nights – first-look review
If you want to get something done in Bulgaria, you’ve got to repress any moral scruples you may have and…
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The Lion at My Back – first-look review
When you’ve got a lion behind you and the sea in front of you, the only choice is to dive in…
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