Movie
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The 10 best TV shows of 2025
From Star Wars canon expansion to the conclusion of a university-set sitcom and Vince Gilligan’s highly anticipated return to the small…
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Bowie: The Final Act review – revisiting the…
In 2016, David Bowie’s death shook the world like a supernova – a deliberately-staged explosion that collapsed a lifetime of personas into a single, blinding…
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The Housemaid review – what a mess
I first became acquainted with Freida McFadden’s New York Times bestselling thriller ‘The Housemaid’ earlier in 2025, when I stumbled across…
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It’s a Wrap: 2025 in Film
Emily Maskell Five personal favourite films of 2025 Sentimental Value (Joachim Trier) Sorry, Baby (Eva Victor) April (Dea Kulumbegashvili) Flow (Gints…
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10% off everything at Rarewaves for LWLies readers
We’ve partnered with our good friends at Rarewaves.com to give our readers a 10% discount on all their items. They offer a treasure…
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A House of Dynamite review – a skilful and timely…
Now and then it occurs to me that the future of my very existence, as well as that of the…
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Good Boy review – a pooch perfect ghostly tale
The idiom “you can’t teach an old dog new tricks” has felt especially relevant in regards to horror lately –…
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I Swear review – a well-meaning, overly sentimental biog
This lightly comic portrait of Tourette syndrome campaigner John Davidson is driven by an impressive central performance. In the late…
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Omar and Cedric: If This Ever Gets Weird review –…
Rather than the usual commemorative victory lap that these toadying music doc profiles tend towards, Omar and Cedric: If This…
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Plainclothes review – ninety minutes of flaccid…
Lucas (Tom Blyth) meets Andrew (Russell Tovey) in a bathroom stall, somewhere in New York state, sometime in the 1990s. Lucas…
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