Movies
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Late Fame review – underserved by a thin script
Following decades spent working for the United States Postal Service in New York City, Ed Saxberger (Willem Dafoe) returns home…
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The 2026 BFI London Film Festival line-up has…
The festival’s usual themed sections (Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Create, Experimenta, Family, Treasures and Shorts) are back…
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Super Nature review – a grainy, intimate delight
In a world in which groundbreaking, long-lens nature documentaries with crisp 8k footage are a dime a dozen, why turn to something as…
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The Death of Robin Hood review – a brutal…
Robin Hood is one of many IPs that is routinely reimagined, revamped, and recycled. From the Disney animation movie to…
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Leviticus review – a tender queer horror debut
Writer/director Adrian Chiarella’s feature debut Leviticus opens with credits on an otherwise blank screen, but also with the sounds of…
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Louisa Connolly-Burnham’s ‘KULT’ of darkly…
From the moment I saw two sapphic Mormon wives hack up an eggplant for dinner, I knew Louisa Connolly-Burnham was going to…
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The Dead Screen as a Mirror: Metacinema and the…
There is something distinctly meta about the films of the Trans New Wave, but not in the way we usually…
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Pedro Almodóvar: ‘Everyone that surrounds a…
One of the most storied, successful and stylish filmmakers in modern European history, Spain’s Pedro Almodóvar has shelves filled with…
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The Dog Stars review – sickly sweet hopecore
A wave of what is known uninspiringly as “hopecore” is sweeping through theatres. At surface level these films inspire hope,…
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Colony review – messy parade of old genre gimmicks
In the post-Romero era of zombie horror filmmaking, there are only a handful of titles that truly stand out, and one…
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