Movies
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The Good Boy review – needs a tighter leash
Tommy (Anson Boon), who spends his nights fighting bouncers and consuming everything under the sun and his days terrorising the…
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Mike & Nick & Nick & Alice – first-look review
Aside from the latest version of The Naked Gun, action comedies have suffered a recent dry spell. Many of the latest movies…
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Over Your Dead Body – first-look review
For decades, many movies have warned that marriage isn’t easy. It requires work, communication, and commitment from both parties –…
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Arco review – primary-colour, major-key…
“What if rainbows were people from the future travelling in time?” is the sort of tagline that will make many…
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La Grazia review – trite banalities across the…
There was a time in the mid-00s when the prospect of a new film by Italy’s newest favourite son, Paolo Sorrentino, was…
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Project Hail Mary review – an entertaining…
The sci-fi subgenre of “ordinary man with remarkable but niche skill set ends up reluctantly saving the world” somehow still…
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Broken English review – an imaginative ode to the late Marianne Faithfull
The 60s rock legend gets a career-spanning portrait in the form an unconventional hybrid doc by filmmaker duo Iain Forsyth…
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Everybody to Kenmure Street review – a rare…
There comes a point during a political protest where sheer force of will wins out the day. But it definitely helps if…
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Scarlet review – a disappointing offering from an…
Across his two-decade feature career, Mamoru Hosada has stuck to a handful of thematic preoccupations. Family in all its complexity; forgiveness…
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A Pale View of Hills review – a sombre adaptation…
As the world is very much learning in 2026, war remains a valid and pertinent influence behind many people’s decision to…
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