Movies
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Time and Water review – a lament for a…
“I cannot send you a glacier, but at least I can send you this.” Time and Water sets out its purpose early on.…
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Scott Z Burns | Erupcja + Pete Ohs | Enzo
On Truth & Movies this week, we meet up with Scott Z. Burns to chat all things Contagion and SXSW…
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Disclosure Day review – distinctly lacking in…
So far, so Spielberg – he sets the stage for an ambitious, epic, action-heavy story about a group of do-gooders facing…
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In the Hand of Dante review – a high-minded mess
In his narrative poem ‘The Divine Comedy’, accepted to have been written between 1308 and 1321 and widely considered to…
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The Fall Of Sir Douglas Weatherford review –…
There’s a terrific episode of The Simpsons in which Springfield is chosen as the shooting location for a film adaptation of geek-favourite…
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The Boy with the Light-Blue Eyes – first-look…
A cursed teenager dreams of escape in Thanasis Neofotistos’ folkloric debut feature, The Boy with the Light-Blue Eyes. Set in…
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Sensory Pleasures and Queer Realities: A Queer…
From these silent rooms, enclosed interiors, and coded meeting points, the festival’s first half began to feel less like a sequence…
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The Truth of the Image: La Belle Noiseuse at 35
Jacques Rivette occupies a distinctive place within the French New Wave. His films are characterised by the patience afforded to their…
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Savage House – first-look review
The rich are revolting in Savage House, Peter Glanz’s powdered-wig satire of aristocratic rot that works best when it stops trying…
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Feast or Famine – first-look review
A Michelin star can change a restaurant’s fortunes overnight, but Feast or Famine, a documentary about the pursuit of that prestigious seal of…
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