Movies
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All Rivers Spill Their Stories to the Sea review…
Were you to cut the skin of Stan Rennie, his blood would run with the distinct perfume of the Teesside…
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Fatherland review – Sandra Hüller is arguably our…
God, don’t you just hate it when you’re at a fancy cocktail soirée and Wagner’s kids trap you in their sight…
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Six Radical Discoveries from the 2026 BFI London…
Queer Edward IITheo Rollason It’s a jubilant homecoming for London-based director Theo Rollason, who scooped up the Queer Lion at this…
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Wildwood review – a tour de force of…
In every interview about Wildwood, director and Laika head honcho Travis Knight has mentioned that the film has been a long…
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Possible Love review – rich, thorny and…
The tenth commandment prefaces Lee Chang-dong’s Possible Love: Thou shalt not covet. Whether it’s thy neighbour’s house or thy neighbour’s…
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The Wall Between Us: Possession at 45
Over the past few years, Andrzej Żuławski’s Possession has been put on the internet’s radar as a morbid curiosity. You can find…
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Making Marie Antoinette review – passing the baton
Making-of documentaries tend to be a mixed-bag proposition. They can risk seeming like extras on a Blu-Ray release or exercises in navel-gazing.…
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By Design review – seat of learning
Camille (Juliette Lewis) seems to have perfected the art of being present without ever quite being seen. But to be…
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Amanda Kramer: ‘Being a beautiful woman has fear…
Amanda Kramer has long been fascinated by the strange, often funny ways we perform ourselves into being. With By Design,…
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Naza review – confronting the horrors of genocide
For 75 of the 80 minutes of Yuval Abraham and Rachel Szor’s NAZA, we are in the dark. Only literally, for the…
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