Movies
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Eye of the Giant: Cinema’s Cyclops Problem
Christopher Nolan’s The Odyssey is so stuffed with technical triumphs that singling out one feels a little like complimenting Poseidon on his…
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London’s New Silent Cinema Wave
Silent cinema has long had a reputation of antiquity, seen by most of the 21st century film audience as outdated, irrelevant…
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The Odyssey | Little White Lies
Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends,…
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Beating Heart: Discovering the Cinema of…
“Synchy is useful for me,“ Temirzhan explains. “When I’m not making a film, I can still engage with cinema and grow our…
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The Odyssey review – a magnificent feat of…
With regards to the dialogue and American/British accents used in place of more accurate speech – Emily Wilson, whose translation…
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John Waters: ’I’ve always been a les bro‘
Do you remember sending the cast, maybe it was just Ricki Lake, but you sent them a VHS tape demonstrating some…
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Evil Dead Burn | Rosebush Pruning | Fists in His Pockets (1965)
On Truth & Movies this week, we discuss Sébastien Vaniček’s Evil Dead Burn and Karim Aïnouz’s Rosebush Pruning. For Film…
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Shoot The People review – a powerful tribute to…
To “shoot the people“ means not only to capture them, but to bear witness, and to use the camera as…
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Summertime Solitude: The Green Ray at 40
“It will be ‘green,’ but a most wonderful green, a green which no artist could ever obtain on his palette, a green which…
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Evil Dead Burn review – struggles to stay alight
Since Sam Raimi’s gruesome franchise was brought screaming back to life with the 90-minute bloody ascension that is Evil Dead…
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