Movies
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Bucking Fastard – first-look review
Werner Herzog has made a career out of chronicling the rich inner lives of society’s misfits and outcasts, so it’s easy…
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Burgundy – first-look review | Little White Lies
They say in vino veritas, and the bitter truth at the heart of Michael Dweck and Gregory Kershaw’s Burgundy is that even vignerons…
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Sarah Maldoror’s Poetry of Resistance
Last month, I saw an archive film collection titled The Archive Reimagined: Pan-African Histories and the Moving Image at the Barbican for…
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My Notes on Mars – first-look review
The opening scene of Lili Horvát’s My Notes on Mars evokes that of Sandra Wollner’s The Trouble of Being Born: the contrast of…
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Ink – first-look review | Little White Lies
The crowning achievement of Oliver Stone’s still somewhat overlooked biopic of Hustler magazine founder The People Vs. Larry Flynt is its tight grasp on the…
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Sleeping with the Enemy: The Handmaiden at 10
Kouzuki is not the only one. Count Fujiwara is in fact a Korean conman, and the ease with which he passes…
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Late Fame review – underserved by a thin script
Following decades spent working for the United States Postal Service in New York City, Ed Saxberger (Willem Dafoe) returns home…
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The 2026 BFI London Film Festival line-up has…
The festival’s usual themed sections (Love, Debate, Laugh, Dare, Thrill, Cult, Journey, Create, Experimenta, Family, Treasures and Shorts) are back…
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Super Nature review – a grainy, intimate delight
In a world in which groundbreaking, long-lens nature documentaries with crisp 8k footage are a dime a dozen, why turn to something as…
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The Death of Robin Hood review – a brutal…
Robin Hood is one of many IPs that is routinely reimagined, revamped, and recycled. From the Disney animation movie to…
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