But the influence was not restricted to the ancient world. During the Renaissance, artists began to seek out and copy classical sculptures with more determination than they had for a millennium. And one of the most admired was the Venus Pudica type. So, Aphrodite, in her nude, seductive and humble persona, as devised by Praxiteles, was reborn in artworks by Massaccio, Botticelli, Raphael and Titian – artists who would later become the “great names” of art history. Some artists used the pose to depict Aphrodite, but many adopted it for other types of female figure. It also inspired other artists to devise new poses based on the same essential premise of diffident nudity.
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